Posts tagged “audience”

Using Your Face with Mario Lopez

Mario Lopez was just a kid when a friend put a lit cigarette into his fist and made it disappear. He learned how it was done and from that moment on he was in love with magic. He moved to Granada in his native Spain when he was 18 where he trained with one of the countries top magicians. He was taught the art of performance and how to create the magical moment. He didn’t teach young Luis any tricks specifically. It was all about how to perform on stage. Mario is incredibly dramatic on-stage which he says is a product of his environment. Clowns, actors and musicians are everywhere in Granada and they have all had an impact on his magic.

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Tools and Tips to Make Your Comedy Magic FIRE with John Archer

If you’re talking about comedy magic, there are just a few names that automatically come to mind. John Archer is one of them. Not only is his magic baffling, but he’s also absolutely hilarious. He’s known for whipping up his audience, and getting incredible moments out of the magic and the punchlines!

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Why Being Sincere Means Connecting with Your Audience with Asi Wind

If you don’t know who Asi Wind is, I recommend stopping the podcast episode and checking him out. Not only has he released incredible effects that have ROCKED the magic community (links below), but he is also a leading magical thinker.

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How to Fool Penn & Teller and Win FISM… Twice with Shawn Farquhar

In this Episode we got to sit down with the one and only Shawn Farquhar to talk about how to fool Penn and Teller, or win a contest like FISM, twice!

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Why Mentalism is More Relatable for Audiences Than Magic with Bobby Motta

In this episode we packed up our bags and travelled to Toronto (hehe) to our good friend Bobby Motta’s house. If you know anything about Bobby, you know that he is one of Toronto’s Top Mentalist and is a very very bright guy.

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My Second Worst Show Ever

Today for the first time in a long time I screwed an entire performance. Not only did I mess up individual tricks, but I ruined the performance as a whole.

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